Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. Curator. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". Behind the dancers is the sculpture "Infinity." (1989), M.A. In presenting the Smithsonians contribution to that effort, we could not have been prouder. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. Research Associate. (1976) Simmons College; M.A. B.A. Box 37012, MRC 520 Washington, D.C. 20013-7012. Explore full information about cafes in General Alvear, Buenos Aires Province and nearby. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. (1979) Emory University; Ph.D. (1991) George Washington University. Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. The center is composed of three distinct units. Through Festival field and documentary research, curation, live programs, and digital storytelling, the Festival communicates an unwavering commitment to representing diverse cultures as a positive force for cultural equity, inclusivity, and the common good. The Washington Monument is visible in the background. Intern at Smithsonian Center for Folklife and Cultural Heritage. Collaborative Cultural Research and Public-Sector Folklore Presentation: An Ethnographic Study of the African Immigrant Folklife Study Project Awards And Honors Fellow, conferred by American Folklore Society, 2017 Affiliation Member Of Center for Folklife and Cultural Heritage Contact (1970) Williams College; M.A. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. The monuments lauded Russian triumphs, from the czarist empire, to Stalin and victory over the Nazis in World War II, to Russian heroes of 2014. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanitys diverse living cultural heritage. 2023 Smithsonian Magazine What unique knowledge is lost when a language has lost its last native speaker? The Washington Monument can be seen in the distance. (1977) Smith College; M.A. Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. B.A. Box 37012, MRC 520 Washington, D.C. 20013-7012. Ihor Poshyvailo, director of the Maidan Museum in Kyiv and co-founder of Ukraines Heritage Emergency Response Initiative, along with his crew, salvages the remains of the Church of the Nativity of the Blessed Virgin Mary built in 1862 and shelled by the Russians in March 2022. On this Wikipedia the language links are at the top of the page across from the article title. While providing immediate protection, this presented another major problem. In 2010, a fourth component was added to this model: culture. Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. It is open to guest researchers and other visitors by appointment. (1996) Pontificia Universidad Catlica de Chile; M.A. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage (CFCH), Cooper Hewitt, National Design Museum (CHNDM), Hirshhorn Museum and Sculpture Garden (HMSG), National Museum of African American History and Culture (NMAAHC), National Museum of American History (NMAH), National Museum of Natural History (NMNH), National Museum of the American Indian (NMAI), National Museum of the American Latino (NMAL), National Zoo and Conservation Biology Institute (NZCBI), Office of the Chief Information Officer (OCIO), Smithsonian Astrophysical Observatory (SAO), Smithsonian Environmental Research Center (SERC), Smithsonian Tropical Research Institute (STRI), Smithsonian Institution Fellowship Program (SIFP), Smithsonian Postgraduate/Postdoctoral Fellowships in Conservation of Museum Collections Program, George Burch Fellowship in Theoretical Medicine and Affiliated Theoretical Science, Smithsonian Artist Research Fellowship (SARF). (1988) Brown University; M.A. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Ralph Rinzler Folklife Archives and Collections. Afrofuturism: A History of Black Futures Contact:Diaz-CarreraC@si.edu, Holmgren, Meredith,Curator, American Womens Music. Hawaii was the featured state in the 1989 Folklife Festival from June 23 - July 4. Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. It has become a national and international model of a research-based presentation of intangible cultural heritage. Contact Robert N. directly . The Smithsonian Folklife Festival is planned and implemented annually by the Festival staff at the Folklife center. University of California, Los Angeles. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. Given satellite coverage, they can reference images over a period of time to pinpoint when the damage occurred and how extensive it is. This component, previously tucked in with social sustainability, was now to considered in its own right. National Museum of American History Russia and its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude to more aggressive moves. The Cultural Vitality Program works collaboratively with communities around the world to support the sustainability of homegrown forms of cultural and artistic production, especially in the areas of language, Indigenous culture, and craft. (1980), Ph.D. (1990) Indiana University. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. Conservators from Ukrainian museums, libraries and archives have benefited from the advice of experts at the International Centre for the Study of the Preservation and Restoration of Cultural Property and specialists from the Smithsonians Museum Conservation Institute, the Smithsonian American Art Museum, the National Museum of Asian Art, and the Smithsonian Libraries and Archives. The ambassador noted that, with the destruction of museums, archives, libraries, cultural and religious sites, theaters, and other places of social significance, the Russian military is attempting to erase a people, to purposefully eliminate the sense and spirit of their claim to nationhood and sovereignty. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. How to Move 4,400 Boxes of Irreplaceable Stuffand Then Move (Almost) Everything Back, Center Initiates New Partnership to Promote Women Artisans in Central Asia, Virtual Craft Exchange Program Develops into In-Person Classes in Kazakhstan, Language Vitality Initiative Releases Case Studies on Minoritized Language Use in Europe. This paper defines the field as folklore and uses that term throughout its paper:[4]. The trips are daunting, as the conservators traverse war zones and find museums and facilities severely damaged, bereft of roofs and walls, and lacking power and utilities. (1993), A.B.D. (1981), Ph.D. (1995) University of Pennsylvania. Spirit in the Dark examines Black religious life through a selection of photographs from the Johnson Publishing Company, publisher of Ebony, Jet, and Negro Digest. Folklore (or traditional and popular culture) is the totality of tradition-based creations of a cultural community, expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they reflect its cultural and social identity; its standards and values are transmitted orally, by imitation or by other means. An aerial shot of the 1999 Smithsonian Folklife Festival, showing the site of the South Africa program. Advisory Council Member at Smithsonian Center for Folklife and Cultural Heritage B.A. (1974), Ph.D. (1981) University of Chicago. B.A. Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. Ukrainians were strong and united in their fight on the battlefield and on the home front to defend their freedom to be Ukrainian, she said, and she thanked the U.S. and allies for helping them in that worthy battle on behalf of all freedom-loving people the world over. Contact:smithsdl@si.edu, Younger, Erin,Research Associate. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk, and more, this exhibition covers the broad and impactful spectrum of Afrofuturism. (1976) University of Minnesota; M.Ln. While drawing on periods of the czarist Russian Empire and the Soviet era to make his case, Putin denies crucial cultural realities. Folklife Festival The Smithsonian accessed funding provided by its federal appropriations and tapped stalwart donorsBank of America and the Mellon Foundation to support packing and protection efforts and the acceleration of its satellite monitoring work. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. American regional and ethnic culturesNative American, African American, and Latino cultureare well-represented. The Smithsonian in Games and Other Formats, National Museum of African American History and Culture, National Air and Space Museum and Udvar-Hazy Center, Smithsonian American Art Museum and Renwick Gallery, Center for Folklife and Cultural Heritage, Smithsonian Environmental Research Center, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution Building, the Castle, Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage Website, Additional Historic Images of the Center for Folklife and Cultural Heritage from the Smithsonian Institution Archives, Sign up for email updates on our amazing collection. In 1964 the new Smithsonian secretary, S. Dillon Ripley, arrived in Washington with an innovative museum concept: he challenged curators to "take the objects out of their cases and make them sing". The National Park Service has as one of its objectives the preservation of historic sites, partnering with CFCH in their concerns for the cultural sustainability of both tangible and natural cultural resources. Cloud cover over the region for days prevented good imagery. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. B.A. This collaborative project between the people of Armenia, the Smithsonian and USAID aims to deepen understanding of the countrys living traditions and heritage sites. (2005) University of California, Los Angeles; PGCert. The recordings were bundled into the Smithsonian Folkways label. The Smithsonian's Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. Morris and Rinzler were named Washingtonians of the Year. Nevertheless, he proposed to stage an outdoor festival on the National Mall during the summer, building on his previous career as both performer and manager in the music industry. Ralph Rinzler listens through headphones during the 1988 recording session for the album "Folkways: A Vision Shared." Folklife Magazine explores how culture shapes our lives. C. Latino Digital Curator of New and Emerging Media. (1967) Harvard University; M.A. Smithsonian Center for Folklife & Cultural Heritage Blog | Smithsonian Magazine Smithsonian Voices From the Smithsonian Museums Introducing Graphic Artist Jean Young's Powerful New. (2005) Occidental College; Ph.D. (2017) UCLA. The Festival is an annual exposition of living culture held on the National Mall in Washington, D.C. for two weeks around the Independence Day holiday for audiences sometimes exceeding one million visitors. Theyve conducted inventories and composed condition reports. The Hague Convention of 1954 followed, outlawing the purposeful destruction and looting of cultural property, which is so integral to a nations and to a peoples identity. The Archives documents the Centers work on the Smithsonian Folklife Festival and Smithsonian Folkways, and contains the recordings, photographs, papers, and objects related to several historical record labels. With nearly 60,000 tracks of digitized music and sound, Folkways is a cultural treasure with unique holdings in American folk, world music and childrens music, including special series dedicated to African American and Latino music. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. B.A. Among them was the Kosciuszko Foundation, a Polish American organization that, with funding and advice from the Smithsonian, has provided emergency stabilization supplies for dozens of Ukrainian museums from its offices in Warsaw. (2011) New York University. The Smithsonian Folklife Festival is a research-based presentation of living cultural heritage annually produced outdoors on the National Mall. Seeger, Anthony, Smithsonian Folkways Recordings Curator and Director Emeritus. (1979) Emory University; Ph.D. (1991) George Washington University. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. Using the (by then) well-established National Folk Festival as a model, he wanted to exhibit and celebrate different folk traditions from across the nation. Since its inception in 1967, the Festival has highlighted artisans from all 50 states, more than 100 countries and nearly 70 occupations. (2011) Leiden; M.Phil. (1978) Kenyon College; M.L.S. South Africa Program at Smithsonian Folklife Festival, 1999. For more on the Smithsonian Cultural Rescue Initiative and its efforts in Ukraine, listen to the Smithsonians Sidedoor podcast and view the latest reports on cultural heritage damage in Ukraine. B.A. The Center for Folklife and Cultural Heritage is a research and educational unit of the Smithsonian Institution. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution that supports cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound recordings. The Sacred Grove: Essays on Museums. (1979) State University of New York at Binghamton; M.A. This new platform is one of the ways in which the center is working to implement a strategic plan goal of convening conversations on topics of importance. Visitors at the Smithsonian Folklife Festival, 2002. When we think about war, what comes to mind is that quest for power and territory, the violent use of destructive armaments and the horrific costs incurred in human lives lost and shattered. (1973) Scripps College, M.A. B.A. At the outset of the Russian invasion, Ukrainian cultural officials and leaders responded quickly to protect facilities and collections from the shelling and bombing. How can we ensure that ancient manuscripts best survive freezing temperatures, given the lack of heat in winter? When the clouds cleared, satellite imagery confirmed what local residents had photographed with their cell phones: the tiny, isolated museum had been destroyed. The Ralph Rinzler Folklife Archives and Collections is a public resource home to hundreds of thousands of videos, films, photographs, sound recordings, and field reports that document cultural traditions, maintained with an increasing commitment to digital accessibility and shared stewardship. (1985) Wichita State University; M.A. As one of the "Grand Challenges"[14] of the Smithsonian, CFCH strives to be steward and ambassador of cultural connections. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. Contact:LinnM@si.edu, Motley, Sabrina Lynn, Director, Smithsonian Folklife Festival. Folklorist, Curator, Education Specialist. In 2017, the label reached 251 million listeners through radio, online streaming and sales. In the space of 15 years on the international playing field folklore has been rebranded as cultural heritage. Your Privacy Rights The Smithsonian Latino Center (SLC) is now a part of the National Museum of the American Latino. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. Advertising Notice It began with the first Festival of American Folklife in 1967. An active research group was formed to explore and articulate this concept of cultural sustainability. B.A. Hawaiian Participants at Festival of American Folklife, 1989, Quilter Demonstrates Her Craft at Festival of American Folklife, 1968. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. Originally part of the Smithsonians Division of Performing Arts, a separate Office of Folklife Programs was created in 1980. Curator, American Womens Music. B.A. The Smithsonian, in an effort to document cultural war crimes as defined by the 1954 Hague Convention, shares its findings with Ukrainian cultural colleagues, and with the U.S. Department of States Conflict Observatory. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. B.A. Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. If proximate, they call up satellite photographic imagery to examine possible damage. B.A. Research Associate. Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. The Center has an active website and features Folklife Magazine, a robust digital vehicle for publishing information about cultural traditions and contemporary issues aimed at a popular audience. [note 4] Through these connections with external networks and strategic cultural partners, best practices and challenges emerge to inform the future of cultural heritage policy and practice at the Smithsonian. As such, it overlaps with topical arts programs brought to the National Mall each summer during the Smithsonian Folklife Festival. (1991), Ph.D. (1998) University of California, Los Angeles. Storing collections in places without proper climate control and inadequate air circulation often leads to the development of mold, fungus and other problems that have to be mitigated. (2001) Youngstown State University; M.A. Privacy Statement B.A. Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). 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